One afternoon in early 2010 we find Kupferminc to take one of our many cafes friends. She was returning from a trip and I passed a complicated disease.
It was a very special chat because she was found on his return, with the flood that thelocals suffered in February of that year, had flooded the workshop and therefore a very important part of his work.
I was also not the best time of treatment and, although we convey the frustration and the feeling of death that we went through in some way, we started talking about proposals thatwe had and revitalized with the passion of creativity. During that meeting we discussed the power of art that became to think how to bring these experiences in a joint statement. We felt an invisible power, a persistent whisper in that both could face what was happening to us. Sifting from deep personal circumstances and make them collectively to the extent thatwe dared to show through words and images to our strengths and weaknesses.

So the idea of ??this exhibition we were brewing slowly, without demands and in order to appear the most genuine of this transit in our pooled sample in which images and wordsdialogue with each, mix, shaking, they caress or face.
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Manuela Fingeret